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[alternative folk] (2018) Nathan Bowles - Plainly Mistaken [FLAC,Tracks] {100.XY}

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(2018) Nathan Bowles - Plainly Mistaken


Review:
The daring banjo player and singer Nathan Bowles opens his fourth album
with a cover of “Now If You Remember,” written by the seven-year-old Jessica Constable and first recorded 40
years ago by popstar-turned-folkie Julie Tippetts. It’s an interlude on Tippetts’ Sunset Glow, but for
Bowles, it is an overture, almost like a last-week-on recap that runs before your favorite TV show. “Now if you
remember, we were talking about God and you,” Bowles sings in a hushed monotone, his words buttressed by a
prismatic riff split by piano and banjo. The cover slyly summarizes his first three albums in order to prepare us for
Plainly Mistaken’s departure while reframing his catalog (and maybe even a century of American roots music?): God
and you might just be the true subjects of every folk song that Bowles or anyone else has ever played.
Though
Plainly Mistaken is rooted in specific musical traditions, these nine songs are deeply irreverent toward those
traditions, too. As a banjo player, Bowles eschews the rocket-fueled runs of bluegrass players like Earl Scruggs in
favor of a modified clawhammer technique that stylistically and spiritually pulls from the likes of John Fahey and Billy
Faier. Rather than pluck and strum, Bowles hammers and pounds. The banjo is “a drum with strings on it. I tend to
play everything percussively,” as he told Bandcamp. (Bowles has long played drums for Steve Gunn.) That’s
most evident on romps like “Elk River Blues” (originally by West Virginia fiddler Ernie Carpenter) and the
Bowles original “Fresh & Fairly So,” both of which move with the loping energy of a walk down a deserted
gravel road.
That’s due in part to the rhythm section of Bowles’ new trio, featuring drummer Rex
McMurry of Cave and bassist Casey Toll of Mount Moriah. Loose and versatile, more interested in breaking the songs down
rather than keeping time, they constantly reshape and reshade Bowles’ banjo themes. They lend a rambling fervor
to the winding “The Road Reversed,” as though the point of the trip were to get lost. Similarly, they infuse
the bluegrass staple “Ruby” with loopy abandon, pushing Bowles to sing and play at an ever-faster gait.
Based closely on the Silver Apples’ 1969 rendering of the tune, this performance sounds like it might
disintegrate at any moment. Bowles seems to relish in the danger, that sense he might faceplant on his own recordAs that
moment makes clear, Bowles draws just as much inspiration from avant-garde composers like Harry Partch and Terry Riley
as he does from folk artists. He favors the natural drone of the banjo, the sustain of the notes over that drumhead,
which he supplements with bowed cymbal and bowed bass. (Bowles also plays in the Black Twig Pickers and Pelt, bands that
respectively honor old-time music and then smear it into infinite acoustic drone.) “In Kind II” sets those
various hums against each other in a kind of narcotic dissonance. “Umbra” begins with Bowles slowly picking
a stargazing banjo theme, then doubling and tripling it with peculiar mutations—one steady in its repetition,
another that bends the notes as though Bowles were playing a sitar. The effect is quietly meditative, a bit of calm
between two upbeat tracks, but there’s something slightly mysterious under the surface, as though you’re
watching him astral-project.
Bowles is not the first to bridge the traditions of folk and avant garde; in fact,
bridging them has become its own tradition, especially among fellow North Carolina musicians like House and Land, Jake
Xerxes Fussell, and the late Megafaun. But there is something thrilling about the way Bowles lays them side by side,
approaching regional folk idioms with the same curiosity he applies to contemporary composition. That pursuit allows
Bowles to wring an array of sounds from his banjo, to use it as a means of getting closer to God and you. The result is
his best album to date—his most mystical and earthbound, all at once.





Tracklist:
01 - Now If You Remember.flac
02 - The Road
Reversed.flac
03 - Umbra.flac
04 - Elk River Blues.flac
05 - Ruby ; In Kind I.flac
06 - Girih
Tiles.flac
07 - Fresh & Fairly So.flac
08 - In Kind II.flac
09 - Stump Sprout.flac

Summary:
Country: USA
Genre: alternative folk


Media Report:
Source                           : CD
Format                    
      : FLAC
Format/Info                      : Free Lossless Audio Codec, 16-bit PCM
Bit rate mode           
        : Variable
Bit rate                         : ~ 611-827 Kbps
Channel(s)                       : 2
channels
Sampling rate                    : 44.1 KHz
Bit depth                        : 16 bits

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